Showing posts with label outpost project 2011. Show all posts
Showing posts with label outpost project 2011. Show all posts

Sunday, August 4, 2013

PM3

For followers of the 2095'ers ramblings, it would be difficult to not to acknowledge the fact that PM3 had a major impact upon her life as a streetart photographer.

Prior to first visit she had heard various comments by some that it wasn't "their scene" in that it wasn't "street" enough for them.  Being a fairly philosophical person, the 2095 chick did not let this influence her at all: in fact it was the opposite.  And besides, why would you not want to to see something that was street, with its stage being a world heritage listed island in the middle of Sydney Harbour!

Undeterred, the 2095'ers maiden voyage to Cockatoo Island was on the official opening day.  While she had been aware that installations & PM3 starting before the official start date, for some inexplicable reason the chick elected to not go and upon reflection she still is unable to pinpoint exactly why.

No need to dwell or attempt self-analysis (cause this could go on for eternity!) the main point is that she got there.

After exploring the exterior and needing to have a breather, the 2095'er swivelled her head and there it was.  In ya face, drowning with layers, an explosion of colour, HUGE pasteups and in the midst of it all it was.....total silence.  

A complete contradiction of the senses in an almost blissfully suffocating way.








As with most experiences the desire to share via slideshow was a no-brainer. Inspired, feeling incredibly excited and proud that the Aussies were showing the world "how it was done", each sound bite expresses the 2095 chick emotions at time of "production" (or reflection as the case may be).

One must be patient given there are 4 in total and even then they do not cover every frame captured.









Inside came a need to capture as many images of PM3 as humanly possible in an almost obsessive nature.  

Perhaps deep down the 2095'er understood that this may be a one time experience and as it was quasi-street, where things can change daily, such was the desire to capture these changes: hence multiple returns became almost a way of life for the chick.

An intense feeling of sadness and grief overcame the 2095'er at the end of this amazing experience.  Initially excited that the new date had been released the 2095'er could barely contain her excitement at what would be on show at the next Outpost.  Sadly this was not meant to be.  

For reasons that still perplex her, the 2095 chick "got" that the honchos (or those with the moula to fund such an 'exhibition') felt it was time to take away from the artists and transform this "test" to how THEY perceived it should be thus removing entirely what street and art is really all about.

The 2095 chick remains incredibly sad as it seems (or at least in the 2095'ers humble opinion) that the arts are once again left on the side burner by those with the dosh who have some inane feeling of "ownership" and remove the opportunity to educate those who may not fully understand what street art is all about.

On a personal level they have removed the opportunity for the 2095'er (and others) to explore, admire and become hopelessly lost within the world of streetart in a single location.

As such we must thank Ben Frost, Konsumterra and all that contributed to PM3.  The 2095'er must also personally thank each and every artist that she has now become familiar with on a more personal level for without PM3 she may not be able to do her blogs.

As she has a ridiculously high number of images (and even now, they are still not all uploaded) feel free to check out the 2095'ers PM3 set "here" but be mindful that while images remain the property of the 2095'er the actual paste ups remain the property of the artist/s.




Wednesday, June 12, 2013

5 Questions with Barek

The 2095'ers intro to Barek and his wonderful world was by way of the cutest little bee. And this little bee was found at (insert obvious...or for those who haven't read enough of the 2095 chick's blogs!) my first visit to PM3 at The Outpost.


Little did the 2095'er realise that from that moment on (yep: reckon there just maybe too many "that"s in that sentence) a friendship by way of photography and artist would be forged.

Are you able to tell me about the humble beginnings of what would become the international Barek phenomena

My "beginnings": I started to make stickers a few years ago inspired by the artists in Brisbane.  Nothing memorable.  Beginner street artist designs: zombies & stuff, not signed or anything.

One day I saw that they had been photographed and were online!  People liked them! So I made more.


I then gave myself the street-name "Barek" and so it began.

Soon after that I wanted to bigger so began paste-ups when grew in to painting walls. Barek's "eyes" have changed as I have matured as an artist form multi lined eyes to the ones I draw today.


As you've progressed through your art career, in what way do you think your style has changed and do you see it evolving naturally or do you think it alters according to what the "fans" want to see

I never paint "what people want to see", more what I want to see, and if others like it? Great!  

My art is very personal, documenting my failings, broken heart, friends/family: a diary.

I recently painted a series of "Jim" inspired by my friend Jim, his beard and white rabbit trapped in a net.  My personal struggle with migraines and being trapped in them or the "Miner Mouse" based on a friend who works in a copper mine.

As with many, I am sure you have had some bizarre encounters with fans totally out of the blue.  Are you able to share a couple?

I hate the "f" word - I never know how to reply to somebody after they've told me they are a fan.

Recently I was painting with my garage door open.  People walked past only to do a circle come back and ask "is that a Barek?" as they had only seen them online.


They were actually quite excited about stumbling across my hidden studio and identity, being that I do my work anonymously.

I've had hilarious moments standing behind people at my shows, listening to them talking about me to their friends "I saw a photo of this when he was working on it" not realising I am standing behind giggling.  I am shy so can't find the courage to say anything (as the 2095'er suffers from the same she TOTALLY gets this)


In 5 words can you describe the philosophy of Barek

Gonna Get Help with this last one!


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So my thanks as always to my friend Barek for sharing a bit of time with the 2095 chick.

And if you haven't you MUST Barek Art

5 Questions with Andros

The meeting between Andros and the 2095 chick was directly linked to the infamous Outpost but with a twist.

I had been posting some of my images up on a group page dedicated to PM3 and a compliment "oh you found mine!"


Shortly after, I received a pm via FB asking if I would be interested in doing some preview shots for what was to be the inaugural Painting Grounds Live.

Who was I to say no!!!! 

Admittedly the 2095 had that ridiculously in-opportune almost paralysing fear/shyness rearing it's head but once met, handshake done and a train trip later I arrived at Tortuga and was thrust in to a magical world of creativity, meeting artists (whom I must confess I had absolutely NO idea who they were as it was formal rather than street-name time) and then getting hopelessly lost behind the lens and loving every minute of it.

It was also a "lightening" moment for the 2095'er as she had unbeknowingly taken a photo in May Lane of one of his works waaaay back in the day.  

Part of my hunting down new art ritual includes always checking to see if little pieces are still there and so far this little baby is!




Here are my 5 questions with Andros.

Can you give a little bit of insight behind your street-name and the beginnings of Andros.

Well back in ye olde highschool days, one of my mates used to say "any enemy of Andros is my enemy".  I think he got that from the Nintendo game Lylat Wars, and the name has stuck since then.



I would say what inspired me to get in to street-art was travel and what I had seen from around the world, especially my trip to France in 2009.  That was when I started to get interested. 

Every now and then would go for a paint with friend, got to know more people who did it, started collaborating with other artists from the UK and USA and was involved in a project "Collaboration Nation" which is when someone starts a sketch, it gets shared amongst 4 people who each add their styles/techniques the piece thus making a really interesting clash of styles which blended in quite well together.

I began to spray paint more around 2010 when I met a few other street-artists and we would occasionally get together as a group, go out for a paint at a warehouse or at walls where we had permission to do so.

How did your signatures style evolve.  Do you prefer the raw of street or the confines of conformity

I would say my style has evolved from sketching and always being interested in cartoons which have influenced my style: sometimes giving it a witty or dark sort of vibe to it.

I have also been studying which has evoked different styles yet always leaving elements from my street-art, allowing it to evolve  and always trying to explore new characters and ideas.


I am enjoying the confines of conformity but I dig the rawness of the streets and how everyone kind of works together in one way or another.  I have met a lot of people who have inspired me along the way from all types of art backgrounds.

Your development and "birth" of Painting Grounds (which was a phenomenal success) came on the tail-end of the Outpost.  How difficult was it to not only come up with the concept but deliver the goods.

I got the name "Painting Grounds" literally from a jar of paint on my table which had the words "painting ground" written on its side.

I came up with the concept because I love live art and the atmosphere at exhibitions.  I thought what a perfect place (Tortuga) to deliver not only that experience but have it combined at one event.


one of the many preview shots of Painting Grounds 2011 
by the 2095'er

Show living art was done at previous events and I invited all the artists who had been involved to join, along with new friends I had met along the way.  I think there were 15 artists doing live art on opening night.

Painting Grounds 2012 had 23 artists: some who also did live art.

It wasn't as hard as I thought it would be to organise because I had quite a few friends helping out on what was turned out to be an amazing event.

The 2013 line up will be bigger and I hope and I am looking to doing a couple of side events in the not too distant future.

Which is your preferred medium or does it depend upon the project in hand

My preferred medium is pen and paper, but I do like to use acrylics and copic pens. Spray paint is also a fun medium to use and is quite addictive once you start to paint with it.



Are you able to define your art/streetart in 5 words

Mashup of styles & humour


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The 2095 chick has a massive gratitude towards Andros for it hadn't been for his initial contact she may have not met some of THE most amazing artists and she looks forward to seeing what the world of Andros will bring