Showing posts with label cheungha lim. Show all posts
Showing posts with label cheungha lim. Show all posts

Wednesday, June 5, 2013

5 Questions with Mizter Crystalface

My first introduction to Mizter Crystalface's work was (like with most things street-art) and accidental.  I was wandering around the dock yard area of Balmain, it was raining, I was once again getting hopelessly lost, and to cap it off I had the flu: it wasn't a great day.  

Just as I was ready to concede defeat, I spied a weird little freehand on a wall & felt myself being drawn towards it.  Not wanting to defy the street-art-gods & being subject to their wrath, I took my first photo (of turned out to be my then latest and yet still current obsession) Kois.


On the ferry back to 2095 I attempted to get the pronunciation correct: is coy'is or Ko (as in Do Re Me) Is. Eventually shrugging my shoulders with defeat, I got home, switched on my PC (which the 2095 must proudly shout that she now has an Mac!) uploaded the image, entered the tag and that was that.

My next encounter was at Chippendale. Same style but totally different tag name.  


It was breathtakingly beautiful.  A defining moment as I was then presented with another pronunciation conundrum: Soke-eye.  Socke-ee.  Rather than continue with the "how do I pronounce it game", the 2095'er made the monumentous decision: it's Sokei.  Turns out I was right!

Here are my 5 questions with the man behind the Sokei and Kois: Mizter Crystalface

Your work is so intricate, the point of being hypnotic. How long does it take to create a piece such this?


Well making them is very hypnotic.  I get in my own head-space when I'm doing them and I don't really notice how much time goes by.  It's very therapeutic.  I think my current profile image (as seen above) took me about 2 months.  Most works take a couple of months, others (like my latest) too me well over a year AND I'm still working on it.  But I don't worry about the length of time.  I just really enjoy doing them

You also have other personas.  What is the genesis behind each of their street names?

Yes, my other "personas" haha!  I've always liked the idea of hiding behind a strange name and no face.  I became recognisable under was the graffiti writer KOIS.  I wrote Kois when I was pretty down on life and sort of screwed up in the head.

I painted faces without the tops of heir foreheads, or scars across their skulls as though their brains had been altered.

I'd write things like "Kois eats razorblades","kois the psychotic meds junkie" or "i like pain".  I thought that stuff was very funny. And back then graffiti was a great outlet for me.

SOKEI became the new graffiti word when I started getting a better name, more positive understanding on life.  I chose the word "sokei" after I heard about a man who started the first Zen Institute of America.

His name was "Sokei-an".  Later in life he got arrested by the FBI because the American Government though he was an "enemy alien" working with people who orchestrated Pearl Harbour (which he wasn't).  I'd write stuff like "cellar door" next to my faces or "hive mind".



I chose "crystalface" after some amazing experiences in 2011.

I became interested in dreams, meditation, transcendental philosophies, geometric patterns, numerology, mandalas, colours and the subconscious mind.


I decided that I'd try to pursue a career through making pictures and try to incorporate certain ideas in to them.  (I don't actually remember why i chose "crystalface" but I think it had something to do with seeing crystals everywhere).

When you are a on creative roll are you a "do not disturb til I'm done" or do you focus to the point of insanity?

I'm always drawing.  I am drawing when I'm around my friends.  I draw at parties.  When I'm lying down in bed.  When I am on a bus or plane or train.  And I've especially begun to enjoy drawing while I'm camping at bush doofs and festivals.

I would say that creating pictures has become an addiction and obsession for me. I feel I'm wasting my time if I'm not drawing or doing something constructive.  I'm definitely NOT a "do not disturb" kind of person.  I always enjoy company while I work.

You also enjoy collabs.  What can we look forward to in the near future?

Yeah collabs are great.  I've done a few small ones in the past with Cheungha Lim, Slug, Animal Farm, Texas, Joe42, Air Space Ark, Andros, Clint Bautista, Terrible Horrible and a few others.

Painting Grounds 2011

I've also tried to organise some with other aritsts like Yvette Marie Tziallis and an artist from Sweden that I really like to call "Johannek".  Still haven't got around to doing those just yet.

How often do you get back out on the street, or do you find yourself now studio-bound and restricted by time frames?

I've always got time and freedom to do things and I still go out and do a little stuff on the streets....just not so often anymore.

I think my drive to do "street art" has pretty much gone.  I still do commissions and paint people's walls, vans & bedrooms (usually for free if they provide the paint), but I find drawing and making posters, t-shirts stickers for people much more rewarding.


I still love graffiti and using spray cans and paint brushes, although I enjoy using pens and digital mediums a lot more now.

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Massive thanks to Mizter Crystalface for not only sharing a bit of your story but allowing me to use some of your photos in this blog






Tuesday, May 28, 2013

5 Questions with Cheungha Lim

Through my love of photography and most especially (even fanatically so) Streetart, I have been fortunate enough to have met and become friends with quite a few of these artists and this is one of their stories.

My first encounter with Cheungha was shortly after "Outpost Art from the Streets" on Cockatoo Island back in 2011.  I was contacted via Facebook by another artist (Andros) who asked if I would be interested in doing some preview shots for the first Painting Grounds Live Art Exhibition.

Naturally I said yes!  We met up at Tortuga Studios and I was suddenly catapulted into a world I could only ever hope of entering. Amidst all the creative noises, music and quiet chaos, I noticed some amazing pieces of flowingly liquidity type art and instantly fell in love with them.


Those pieces belonged to the artist Cheungha Lim.  Over time we have become attuned with each other's passions via photography and the mandatory facebook communicado.

So here are my Five Questions with Cheungha Lim.

What inspires you?

Salvador Dali, Escher, Selena French, a few friends who are also artists (like David Crystalface and Sebastian Grant) and different genres of music also make me see colours and rhythm on paper

How did your style evolve?

I actually started drawing properly when my roommate (Elise) gave me a leftover pack of crayons and pastels.  I just kept drawing & painting using different types of mediums such as lipsticks that were given to me by my mother.  It's been nearly 10 years.



Whenever I'm in a situation where I have to wait then generally I will have my pad and doodle away, or (basically) whenever I can, especially if I'm tense or bored.


Do you find yourself becoming creative through emotion?

I find myself relieved when I draw: after a fight or being sensitive to others who are aggressive. So yes I'm reactively creative, especially after traumatic or tense situations.



Are you one of those "this is the timeline and I must achieve a target by a  certain date" people?

No.  I am not one of those people.  I drive myself because I am passionate and inspired: not for money or infringing my freedom by meeting a deadline, which is to me very restricting as an artist.  



Yet the contradicting factor to me is although a lot of the shows and exhibitions do have deadlines, if I am meant to then I will "synchronise" as I like to put it.

What do you think the future holds for Cheungha?

I've got live art coming up for "This Just Happened" with Electra de Christabelle and David Crystalface, a Group Show at MA Gallery with El Camino Events (21st June 2013) and I'm also planning to do a Solo/Collab show in the upcoming year.


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So there you have it.  Cheungha has kindly allowed me to post some of her works in this little piece and hopefully many of you, like me , can see the beauty which is simple in  its complexity, hypnotic yet calming in her work and possibly buy a piece at one of her upcoming gigs.